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Miya Masaoka : ウィキペディア英語版
Miya Masaoka

Miya Masaoka is based in New York City (born 1958, Washington, DC)〔Garrett, Charles Hiroshi. ‘’The Grove Dictionary of American Music’’, “Miya Masaoka”, Oxford University Press 2013〕 and is an American composer, musician, and sound artist active in the field of experimental music. Her work encompasses contemporary classical composition, improvisation, electroacoustic music, traditional Japanese instruments, and performance art.〔Gómez-Peña, Guillermo. ‘’Dangerous Border Crossers’’, Routledge 2000〕
Her full-length ballet was performed at the Venice Biennale 2004.〔Jepson, Barbara. “Ancient Eastern Music Meets Modern Technology,” The Wall Street Journal, Updated Sept. 15, 2015〕 She is the recipient of the Core Fulbright Scholarship for Japan, 2016.〔Core Fulbright US Scholar Program http://www.cies.org/program/core-fulbright-us-scholar-program〕
She often performs on a 21-string Japanese koto (musical instrument) koto, which she extends with software processing, string preparations, and bowing.〔Kozinn, Allan. “Connecting the Ancient to the Computerized”, New York Times September 10, 2005〕 Masaoka has created performance works and installations incorporating plants, live insects, and sensor technology.〔Oteri, Frank J. “Miya Masaoka: Social and Sonic Relationships”, NewMusicBox (a publication of New Music USA) June 1, 2014〕
==Early Life and Education==
She began studying classical music at 8 years old. In her early twenties, she moved to Paris, France, and upon returning to the USA, she enrolled at San Francisco State, and received her BA in Music, magna cum laude, where she studied with Wayne Peterson and Eric Moe. She holds an MA from Mills College where she received the Faculty Award in Music Composition. Her teachers included Alvin Curran, Maryanne Amacher and David Tudor.〔Prestiani, Sam. "Border Crossings," SF Weekly, 2000. pp75-6〕

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